Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 1: Perhaps the most likely scene of Raleigh's first experiments in the art of smoking was Durham House, which stood where the Adelphi Terrace and the streets between it and the Strand now stand. This was in the occupation of Sir Walter for twenty years (1583-1603), and he was probably resident there when Hariot returned from Virginia to make his report and instruct his employer in the management of a pipe. Walter Thornbury, in his "Haunted London," referring to the story of the servant throwing the ale over his smoking master, says: "There is a doubtful old legend about Raleigh's first pipe, the scene of which may be not unfairly laid at Durham House, where Raleigh lived." The ale story is mythical, but it is highly probable that Sir Walter's first pipes were smoked in Durham House. Dr. Brushfield quotes Hepworth Dixon, in "Her Majesty's Tower," as drawing "an imaginary and yet probable picture of him and his companions at a window of this very house, overlooking the 'silent highway':
From Chapter 6: John Philips, the author of "Cyder" and the "Splendid Shilling," was an undergraduate at Christ Church, during Aldrich's term of office, and no doubt learned to smoke in an atmosphere so favourable to tobacco. In his "Splendid Shilling," which dates from about 1700, Philips says of the happy man with a shilling in his pocket:
Meanwhile, he smokes, and laughs at merry tale, Or Pun ambiguous or Conundrum quaint. But the poor shillingless wretch can only doze at home In garret vile, and with a warming puff Regale chill'd fingers; or from tube as black As winter-chimney, or well-polish'd jet, Exhale Mundungus, ill-perfuming scent. >The miserable creature, though without a shilling, yet possessed a well-coloured "clay."
It is significant that the writer of a life of Philips, which was prefixed to an edition of his poems which was published in 1762, after mentioning that smoking was common at Oxford in the days of Aldrich, says apologetically, "It is no wonder therefore that he [Philips] fell in with the general taste ... he has descended to sing its praises in more than one place." By 1762, as we shall see, smoking was quite unfashionable, and consequently it was necessary to explain how it was that a poet could "descend" so low as to sing the praises of tobacco.
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From Chapter 9: In 1805 Lamb wrote to Wordsworth—"now I have bid farewell to my 'sweet enemy' tobacco ... I shall, perhaps, set nobly to work." Forthwith he set to work on the farce "Mr. H.," which some months later was produced at Drury Lane and was promptly damned. After its failure Lamb wrote to Hazlitt—"We are determined not to be cast down. I am going to leave off tobacco, and then we must thrive. A smoky man must write smoky farces." But Lamb and his pipe were not to be parted by even repeated resolutions to leave off smoking. It was years after this that he met Macready at Talfourd's, and by way probably of saying something to shock Macready; whose personality could hardly have been sympathetic to him, uttered the remarkable wish that the last breath he drew in might be through a pipe and exhaled in a pun.
It was in 1818 that Lamb published the collection of his writings, in two volumes, which contained the well-known "Farewell to Tobacco," written in 1805, and referred to in the letter of that year to Wordsworth quoted above. Its phrases of mingled abuse and affection are familiar to lovers of Lamb.
From Chapter 13: King James I in his famous "Counter-blaste to Tobacco," hinted that the husband, by his indulgence in the habit, might "reduce thereby his delicate, wholesome, and cleane complexioned wife to that extremitie, that either shee must also corrupt her sweete breath therewith, or else resolve to live in a perpetuall stinking torment." His Majesty's style was forcible, if not elegant. There are also one or two references in the early dramatists. In Ben Jonson's "Every Man in his Humour," for instance, which was first acted in 1598, six years before King James blew his royal "Counter-blaste," Cob, the water-bearer, says that he would have any "man or woman that should but deal with a tobacco-pipe," immediately whipped. Prynne, in his attack on the stage, declared that women smoked pipes in theatres; but the truth of this statement may well be doubted. The habit was probably far from general among women, although Joshua Sylvester, a doughty opponent of the weed, was pleased to declare that "Fooles of all Sexes haunt it," i.e. tobacco.
